". . . with faithfully replicated artwork."
That's how a press release, dated June 16 of this year, described the manner in which the next wave of Beatles LPsmono releases claimed to be mastered direct from the original analog mixdown tapes, and not the 44.1kHz digital files that Apple Records and Universal Music Enterprises (which now owns EMI) considered good enough for their last wave of Beatles LPsare being packaged for sale. Hope, as Emily Dickinson once observed, is that thing with the feathers. Which, as we all know, evolved from the dinosaurs.